And to cast the indomitable Furiosa, Miller and Kress would have to find a female lead who was every bit the equal of their new Max.Ī casting director once described her process to me as akin to opening a lock: Once you land on one number, you spin to the next, all the while wondering, Is this combination actually going to work? Here, then, is the series of events that locked in the casting of Hardy and Theron, Fury Road’s most compelling and combustible pair. Mel Gibson went from unknown to megastar after playing the postapocalyptic drifter Max in Miller’s first three films, which set the bar high for whoever would vie to supplant him. “I’m not sure she was even aware of the content of the movie, so she dressed up as Rihanna, which was the right thing to do.”īut the trickiest thing to cast was the two leads. “Usually, actors turn up dressed very casually, but boy, Rihanna looked spectacular when she walked in,” Miller told me. Near the end of that process, Miller even set up a meeting with a pop icon. Miller and his casting director, Ronna Kress, began meeting with actors in 2009, and their casting search was expensive and extensive: To cast the five Wives that Furiosa escapes with in her War Rig, Miller and Kress saw hundreds of women, including future superstars like Margot Robbie and Jennifer Lawrence. In the seven years since Fury Road came out, so many of its characters have become iconic, but would the film have fared nearly as well if some of the famous also-rans I uncovered had been cast instead? But I’ve got to be honest: The chapter of the book that dropped my jaw was the one about the film’s casting.
My book “ Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road” is filled with juicy stories if you’ve ever wondered what really went down between stars Tom Hardy and Charlize Theron, or how director George Miller persevered over two decades of setbacks and production shutdowns to make an Oscar-winning miracle, you’ll find all that out and more. When I worked for Vulture, I used to put together an annual roundup of the stars who almost got cast in the year’s biggest movies, just because it was so tantalizing to imagine some of those superhero flicks or awards-season dramas with wildly different faces on the poster.
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I’ve always been fascinated by the process of movie casting. Photo-Illustration: Vulture Photo by Warner Bros. However, with Fury Road attracting near universal acclaim - with its strong female presence regularly praised - and George Miller having plans for at least two more modern Mad Max entries, the sad plight of the MRAs looks set to be ignored for many years yet.Now picture Eminem and Gal Gadot in the image above.
We Hunted the Mammoth, a site focused on tracking online misogyny, has a detailed (and thoroughly depressing) run down of some of the shocking responses to Clarey's anti-feminist scaremongering. Unsurprisingly, commenters at Return of Kings haven't let little things like the litany of errors and inaccuracies Clarey cites ruin their misogyny though, instead calling for a silent boycott of the movie. Unless you count people like Aunty Entity, played by Tina Turner in 1985's Beyond Thunderdome, of course. It's hardly the stuff of apple pie and bald eagles.Ĭlarey also claims Max has been sidelined in his own movie, and "replace with an impossible female character in an effort to kowtow to feminism." Because women surviving the apocalypse is impossible, and the Mad Max films have never featured powerful, intimidating women before.
For Fury Road, Tom Hardy is British, Charlize Theron is South African, and much of the movie's remaining cast and almost the entirety of the crew are of non-American origin. Undermining his position immediately is the fact that Mad Max is actually an Australian franchise, written and created by Australians, and whose original leading man, Mel Gibson, had lived in Australia since age 12. On Return of Kings, a website centred on the MRA "movement", contributor Aaron Clarey wonders "whether men in America and around the world are going to be duped by explosions, fire tornadoes, and desert raiders into seeing what is guaranteed to be nothing more than feminist propaganda, while at the same time being insulted AND tricked into viewing a piece of American culture ruined and rewritten right in front of their very eyes."
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